Donation from great artist Jesús Pastor

We have been working (and enjoying) in the last months with many artworks from a generous donation from great artist and good friend Jesús Pastor. Here you have a little sample of five images made by calcographic engraving and xerography techniques. We hope you like it. Thank you, Jesús!

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The art of photocopy. 1970-1985

Today at 8 pm will be opened at José de la Mano Gallery of Madrid the exhibition “El arte de la fotocopia. 1970-1985 (cuando la copia se convierte en original)”. This exhibition, which can be visited until November 8th, has works from many artists of the spanish copy art movement, and among them, many from Alcalacanales and Equipo AC, of our director José Ramón Alcalá, who, in addition, has created a new installation with Rubén Tortosa and supported by Miguel Sánchez.

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The freezing of a memory: Tribute to Edith Weyde

Edith Weyde was a German chemist at the Agfa company in Leverkusen who, together with the Belgian engineer André Rott, created the process of transferring images by diffusion or Diffusion Transfer Reversal (DTR), with the aim of automating the photographic process, was one of the bigger advances in silver copying techniques (silver salts). It is the basic process that allowed the instant photography of companies like Polaroid, Kodak or Fuji and even the origin of the direct electrophotographic reproduction system.

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The visit of Marisa González

Friday July 13 we received the visit of Marisa González at the International Museum of Electrography (MIDECIANT) of Cuenca (Spain). Who also had the kindness and generosity to donate a series of pioneering copy art and digital art pieces for the museum’s permanent collection. Thank you very much. It is an honor and a pleasure. We hope that the visit was of your pleasure and interest and we hope to see you again by the MIDE -your house- as soon as possible.

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The presentation of the artist Jesús Pastor

The presentation of the artist and full professor Jesús Pastor took place in the Research Master on Artistic and Vistual Practices. At the end of his presentation, Pastor explained all students about the artistic donation to the MIDE collection, that he has just completed with differents artworks that represent his artistic career.

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The Cuenca’s CAAC open an exhibition tribute to Copy Artist Fernando Canales

The tribute was attended by the widow of Canales, Esther Graciá; his daughter, Marina Canales and a large number of friends and colleagues of the artist and professor at the School of Art of Cuenca. The event was presented by José Ramón Alcalá, friend and artistic partner of Canales; by Ruben Tortosa, friend and curator of the exhibition; by Maria Angeles Zurilla, Vice Chancellor of Culture and University Extension; by the Dean of the Faculty, Francisco Javier Díez de Baldeón and Patxi Andión, director of the Art Department.

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Museum IM/POSIBLE

This class focuses on the complex relationship between the institutions of the art world and the artistic practices linked to new media, from the transgressive proposals of net art to the progressive though unfinished integration of works of digital art in the collections of some museums. Examining both the problems involved in the conservation and dissemination of unstable art and the pre-eminence of temporary exhibitions in front of permanent collections, we will see how in their interaction with new technologies both artistic practices and museums themselves are transformed.

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