Co-editors of the magazine Observatorio Iberoamericano de Arte Digital y Electrónico

  MIDECIANT co-editor of the magazine “Observatorio Iberoamericano de Arte Digital y Electrónico” We want to share with you the first issue of the Magazine Observatorio Iberoamericano de Arte Digital y electrónico. Edited by “Nodos Uruguay”, the “Observatorio Iberoamericano de Arte Digital y Electrónic” and its own, “MIDECIANT”. The Publication of the Observatorio Iberoamericano de Arte Digital y electrónico is […]

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Museum IM/POSIBLE

This class focuses on the complex relationship between the institutions of the art world and the artistic practices linked to new media, from the transgressive proposals of net art to the progressive though unfinished integration of works of digital art in the collections of some museums. Examining both the problems involved in the conservation and dissemination of unstable art and the pre-eminence of temporary exhibitions in front of permanent collections, we will see how in their interaction with new technologies both artistic practices and museums themselves are transformed.

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Cuenca’s CAAC publishes a catalog 2016

This work represents the end of MINECO and ERDF projects which during the last two years have been developed in the Collections and Archives of Contemporary Art of the School of Fine Arts of Cuenca, at the University of Castilla-La Mancha

The catalog of the Collections and Archives of Contemporary Art (CAAC) of Cuenca, edited by José Ramón Alcalá and Vicente Jarque, assisted in the coordination by Beatriz Escribano, and designed by Héctor Morejón, has been finally published, after two years of intense work around the projects MINECO Ref. HAR2013-48604-C2-1-P and Castilla-La Mancha with European funds, ERDF Ref. P011-2014-002-P. Both projects, ending in December, will have their continuity with the MINECO project “Spanish Archive of Media Art” which will be directed by Ana Navarrete (UCLM) and Miguel Ángel Marzal (UC3M).

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Publications About Mide’s Recent Activities

As the result of the 2015 exhibitions and of the subject “Cultural Interfaces and New Media” of the Master in Research in Artistic and Visual Practices coordinated by J.R.Alcalá and also taught by Sylvia Molina and Guillermo Navarro, it has been published the book entitled “Processes: The Artist and the Machine. Reflections on the historical Media Art. “, coordinated by Beatriz Escribano and designed by Héctor Morejón de Girón. Texts by José Ramón Alcalá, Beatriz Escribano, Rubén Tortosa, Ana Soler and Lieve Prins.

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