The Cuenca’s CAAC open an exhibition tribute to Copy Artist Fernando Canales

The tribute was attended by the widow of Canales, Esther Graciá; his daughter, Marina Canales and a large number of friends and colleagues of the artist and professor at the School of Art of Cuenca. The event was presented by José Ramón Alcalá, friend and artistic partner of Canales; by Ruben Tortosa, friend and curator of the exhibition; by Maria Angeles Zurilla, Vice Chancellor of Culture and University Extension; by the Dean of the Faculty, Francisco Javier Díez de Baldeón and Patxi Andión, director of the Art Department.

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Cuenca’s CAAC publishes a catalog 2016

This work represents the end of MINECO and ERDF projects which during the last two years have been developed in the Collections and Archives of Contemporary Art of the School of Fine Arts of Cuenca, at the University of Castilla-La Mancha

The catalog of the Collections and Archives of Contemporary Art (CAAC) of Cuenca, edited by José Ramón Alcalá and Vicente Jarque, assisted in the coordination by Beatriz Escribano, and designed by Héctor Morejón, has been finally published, after two years of intense work around the projects MINECO Ref. HAR2013-48604-C2-1-P and Castilla-La Mancha with European funds, ERDF Ref. P011-2014-002-P. Both projects, ending in December, will have their continuity with the MINECO project “Spanish Archive of Media Art” which will be directed by Ana Navarrete (UCLM) and Miguel Ángel Marzal (UC3M).

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Publications About Mide’s Recent Activities

As the result of the 2015 exhibitions and of the subject “Cultural Interfaces and New Media” of the Master in Research in Artistic and Visual Practices coordinated by J.R.Alcalá and also taught by Sylvia Molina and Guillermo Navarro, it has been published the book entitled “Processes: The Artist and the Machine. Reflections on the historical Media Art. “, coordinated by Beatriz Escribano and designed by Héctor Morejón de Girón. Texts by José Ramón Alcalá, Beatriz Escribano, Rubén Tortosa, Ana Soler and Lieve Prins.

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